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DOI: 10.5593/SGEMSOCIAL2016/HB41/S04.003

AUREL STROE - OUTSTANDING PERSONALITY OF THE ROMANIAN MUSICAL AVANT-GARDE IN XXTH CENTURY

P. M. Coroiu
Thursday 6 October 2016 by Libadmin2016

References: 3rd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2016, www.sgemsocial.org , SGEM2016 Conference Proceedings, ISBN 978-619-7105-53-7 / ISSN 2367-5659, Apr 06-09, Book 4, Vol.1, 17-24 pp, DOI: 10.5593/SGEMSOCIAL2016/HB41/S04.003

ABSTRACT
Aurel Stroe was a complete musician, composer, teacher and musicologist with an exceptional magnitude of the ideas, with their unique achievement. His works touche all coordinates of the musical composition, from symphonic and vocal-symphonic genre, to the chamber works and to those devoted to choral singing, being a pioneer of electronic music and an excelent composer for the drammatic works. Because of his original and interdisciplinary thinking, Aurel Stroe’s music has extramusical artistic and scientific arguments. Aurel Stroe is the artist who left behind him no epigones; is almost impossible to understand his musical system (anyway, so diverse) in the absence of his personality. His ideas, his human profile, his thinking universe were those that continue to animate and inspire his art, his music. This phenomenon is due to his particular way to think the musical discourse in terms of tine, using sudden interruption of the speech, recurring or circular aspects of the temporal reality. Aurel Stroe is – according to international statistics – one of the most performed Romanian composers on the scenes outside his native country.

Keywords: avant-garde, composition, modernity, concept, style


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