ON-LINE DATABASE of SCIENTIFIC PAPERS
Home > PERFORMING AND VISUAL ART > PERFORMING AND VISUAL ART

PERFORMING AND VISUAL ART

- Ancient Art And Civilizations Medieval Art
- Renaissance Art And Mannerism
- Baroque And Rococo
- Neo-Classicism And Romanticism
- Realism And Macchiaioli
- Impressionism, Pontillism And Post-Impressionism
- Symbolism And Art Noveau
- Modern Art – Expressionism, Fauvism, Cubism, Futurism
- Modern And Contemporary - Pop-Art, Minimalism And Post-Modernism

Articles in this section


This Online eLibrary 2020 is in the process of update (Papers SGEM2020)

Sunday 22 November 2020 by Web_Admin

The Online eLibrary 2020 is in the process of update! It is planned to be more user-friendly with a lot of useful functions and other tools for citing and metrics as well as free user export in bib format.
All peer-reviewed and published papers from conference proceedings 2020 will be shortly published online here: https://www.sgemsocial.org/index.php/peer-review/jresearch



This Online eLibrary 2019 is in the process of update (Papers SGEM2019)

Saturday 19 October 2019 by LibAdmin

The Online eLibrary 2019 is in the process of update! It is planned to be more user-friendly with a lot of useful functions and other tools for citing and metrics as well as free user export in bib format.
All peer-reviewed and published papers from conference proceedings 2019 could be found here: https://www.sgemsocial.org/index.php/peer-review/jresearch?view=publication&year=2019



CHARLES I: THE THEATRICAL FAREWELL (Papers SGEM2018)

D. Khaustova
Friday 9 November 2018 by Libadmin2018
ABSTRACT Charles I was the king of England, Scotland and Ireland, whose conflicts with the parliament provoked a civil war (1642–1651) and led to the execution of the king in 1649. Following his father, James I, who was fond of the architecture, theatre and music, Charles became the patron of (...)


CONCEPTUAL PREVISIONARY STYLES OF THE MUSICAL INTERPRETATIVE PHENOMENON OF THE CLASSICAL GUITAR (Papers SGEM2018)

G. C. Voicescu
Friday 9 November 2018 by Libadmin2018
ABSTRACT Through the implementation of the stylistic and conceptual plan, the guitarist is able to establish on an experimental basis the phenomenological issues which will then be solved gradually since the preliminary phase of reading at first sight. The simplification of the double (...)


ELEMENTS OF HERMENEUTICAL ANALYSIS IN THE MUSICAL REPRESENTATIONS OF DAVID’S PSALMS COMPOSED BY FRANZ LISZT (Papers SGEM2018)

A. Belibou, C. Petruta
Friday 9 November 2018 by Libadmin2018
ABSTRACT In our paper we will talk about the diversity of religious expressions through the writings of psalms in Franz Liszt’s creation, that appears to us as a micro-cosmos of the romantic period, with an expressiveness that underlines the finest differences between possible human feelings in (...)


FIRST EXPERIENCES OF CREATING MUSICAL SPACECLES IN THE TATARIAN THEATER IN THE CREATION OF SULTAN GABYASHI (Papers SGEM2018)

N. K. Nurgayanova, A. R. Salikhova, D. R. Fardiyeva, E. M. Galimova
Friday 9 November 2018 by Libadmin2018
ABSTRACT One of the first Tatar composers who stood at the origins of the national musical theater is Sultan Gabyashi (1891–1942). Active creative activity of the composer occurred in the 20-30s of the XX century, when the process of formation of professional musical art and education was in (...)


INTERPRETATIVE AND COMPOSITION ARCHETIPAL RESONANCE OF THE CONTEMPORARY CREATIONS FOR THE SOLO CLARINET (Papers SGEM2018)

D. Albu, D. Paicu
Friday 9 November 2018 by Libadmin2018
ABSTRACT This paper comes to present and highlight the works of three Romanian composers, who are or were professors at the Arts University "George Enescu" University, institution with 156 years of existence. It is about Sonante by Vasile Spatarelu, Invocations by Viorel Munteanu and (...)


INTERPRETATIVE CONSIDERATIONS IN THE CONCERT NO.1 FOR CLARINET AND ORCHESTRA COMPOSED BY CARL STAMITZ (Papers SGEM2018)

D. Albu, D. Paicu
Friday 9 November 2018 by Libadmin2018
ABSTRACT In this study we propose to decode and to highlight the most important stylistic and interpretative landmarks of the Mannheim School, with emphasis on Concerto no. 1 for clarinet and orchestra, composed by Carl Stamitz. Carl Stamitz is considered the first composer which composed an (...)


KEYS TO THE MASTERPIECE. A RETROSPECTIVE ON GEORGE ENESCU’S SECOND ORCHESTRAL SUITE OP. 20 (Papers SGEM2018)

M. Rusu, G. Dutica
Friday 9 November 2018 by Libadmin2018
ABSTRACT Background: In the artistic context of 20th century, George Enescu is the only representative Romanian composer who will be included in the diverse landscape of the 1900-1940’s, and he will be integrated into the neoclassic direction. He was considered to be “one of the most interesting (...)


MIMICRY AND MEANING IN STAGINGS OF HENRIK IBSEN’S PLAYS IN LATVIAN THEATRES IN THE SEASON OF 2017-2018 (Papers SGEM2018)

M. Burima
Friday 9 November 2018 by Libadmin2018
ABSTRACT The season of 2017/2018 in Latvia was especially rich in stagings of plays by Norwegian playwright Henrik Ibsen (1828 – 1906). Ibsen’s plays were staged both in theatres and opera, in the capital city of Riga and other towns in Latvia. On the whole in the season of 2017/2018 Latvian (...)


Home | Contact | Site Map | | Site statistics | Visitors : 558182

Follow site activity en  Follow site activity PERFORMING AND VISUAL ART   ?

Copyright 2014 SGEM International Multidisciplinary Scientific Conference on SOCIAL SCIENCES & ARTS. All Rights Reserved. 3.0.17 + AHUNTSIC

Creative Commons License